Sentry extends title sponsorship of Tournament of Champions until 2035

The PGA TOUR and Sentry Insurance, which has served as title sponsor of the Sentry Tournament of Champions since 2018, announced today a sponsorship extension through 2035. The new term further extends a 10-year partnership, announced in January of 2020.

Kicking off the 2023 portion of the season, the Sentry Tournament of Champions held at The Plantation Course at Kapalua (January 2-8) will feature a purse of $15 million, up from $8.2 million in 2022. The event will lead off 2024 when the TOUR transitions to a calendar-year season.

“Today’s announcement of support through 2035 further solidifies the tremendous efforts Sentry Insurance has made in enhancing this event since 2018,” said PGA TOUR Commissioner Jay Monahan. “Kicking off the PGA TOUR season at the Sentry Tournament of Champions starting in 2024 will further elevate the event as the world of golf will be squarely focused on Maui that week. Our thanks to Pete McPartland and his team at Sentry for their partnership, loyalty and trust in the PGA TOUR.”


The Sentry Tournament of Champions field includes all winners of official PGA TOUR events in the preceding calendar year, and beginning in 2023, will also include the top 30 players from the FedExCup Playoffs Points List who qualify for the TOUR Championship in recognition of the outstanding performance required throughout the FedExCup Season to advance to East Lake. The Sentry Tournament of Champions joins a select list of events that the top 30 players who qualify for the TOUR Championship earn exemptions into including the Masters Tournament, PGA Championship, U.S. Open, Genesis Scottish Open and Open Championship. Scott Stallings, Cameron Young, Collin Morikawa, Corey Conners, Brian Harman, Sahith Theegala, Adam Scott and Aaron Wise will be exempt for the 2023 tournament as a result of the new criteria.

The original agreement in 2018 represented the first major sports sponsorship for Sentry, one of the largest business-focused mutual insurance companies in the United States. The company has been involved with golf since 1982 when it built SentryWorld – Wisconsin’s first destination golf facility at its headquarters in Stevens Point – which played host to the 2019 U.S. Girls Junior and will be the site for the U.S. Senior Open in 2023.

“One of the smartest decisions we’ve ever made was to align ourselves with the PGA TOUR,” said Pete McPartland, Sentry’s Chairman of the Board, President and CEO. “It’s been a great relationship—one that has helped us connect with our customers and other business decision makers who watch and play the game. We have established something very special with the Sentry Tournament of Champions, and we’re excited about what the future holds for both the PGA TOUR and our event. We’ll continue to work with the TOUR on elevating our championship in ways that will benefit the game and the island of Maui, which we consider our second home.” 

Since becoming title sponsor, Sentry has fully engaged the Maui community and has extended its community outreach well beyond tournament week. This includes creating a scholarship program for graduates of Maui Public Schools, providing support to the Maui United Way for COVID-19 pandemic relief efforts and to help address childhood hunger in Maui County, and spearheading an initiative that connects similar organizations on Maui and in Stevens Point in the areas of community service, arts, education and agriculture to exchange ideas and best practices for the benefit of both communities.

“We have tremendous support from the community, fans and The Plantation Course coupled with an incredible title sponsor that strives to help this event grow every year,” said Sentry Tournament of Champions Executive Director Max Novena. “We appreciate the great partnership with Sentry and are confident the best is yet to come. We’re excited to serve as the PGA TOUR’s opening week event in 2024 when the new calendar year schedule debuts.” 

“We believe it’s important to have purpose in what we do, and we’ve made it a priority to spend significant time on island building relationships with community leaders and organizations,” said Stephanie Smith, Chief Brand and Marketing Officer for Sentry. “Together, with the PGA TOUR, we’ve built great momentum these past five years and, together, we’re committed to making a positive, long-term and year-round impact on the Maui community.”  

The Sentry Tournament of Champions has a rich history of champions, from World Golf Hall of Fame members to modern-day stars as represented by just the past four winners: defending champion Cameron Smith, Harris English (2021), two-time champion Justin Thomas (2020, 2017) and Xander Schauffele (2019).

DP World Tour announces first eTour competition

The DP World Tour today announces the introduction of a new eTour competition, in partnership with the leading online and mobile game World Golf Tour (WGT) by Topgolf, and esports specialists DreamHack Sports Games, that will open to players across the globe on 31st August.

The new eTour competition has four stages, with the entire competition played on the stunning Wolf Creek Golf Course in Nevada, USA, culminating in a live grand finale hosted at DP World’s high-tech FLOW Pavilion in Expo City, Dubai.

The four stages will be:

Open Qualification: Taking place on WGT by Topgolf and starting on 31st August until 16th October.

The Bracket: The top 128 players in Open Qualifying will be eligible to play in The Bracket, which takes place over four days, from 20th to 23rd October. This consists of eight individual brackets of 16 players each, who will play a knockout format to determine the winner of their bracket.

The Shootout: A one-round tournament to determine the final four players, taking place in the week commencing 24th October.

The Global Final: The final four players will go head-to-head in a live final on 16th November at the DP World FLOW Pavilion at Expo City Dubai to crown the 2022 DP World eTour winner. This is the same week as the season-ending DP World Tour Championship on the DP World Tour. 

The WGT by Topgolf platform will also feature new DP World eTour branded apparel in its virtual store from August 31st to November 30th.

The competition is the latest collaboration between the European Tour group, Topgolf Entertainment Group and DreamHack Sports Games. In 2020 the organisations joined forces to launch the European eTour on the WGT platform, which saw more than 750,000 entries and five million rounds played in its first two seasons.  

WGT by Topgolf is an established leader in online golf competitions and has currently been downloaded by over 30 million users worldwide. It offers the most photorealistic golf gaming experience available, giving players the opportunity to virtually play some of the most famous championship golf courses.

Speaking about the new eTour competition Richard Bunn, Managing Director of European Tour Productions, said: “The esports industry allows the DP World Tour to engage with our existing audience in a different way and attract new fans through our broadcast and digital platforms. After working together with WGT by Topgolf and DreamHack Sports Games before on the European eTour, we knew they were the perfect partners to help introduce a new DP World Tour branded competition to our fans. With the support of our title partner DP World, the final promises to be a spectacular event, taking place at their impressive FLOW Pavilion in Dubai, that includes an 8K screen which is a stunning backdrop for the best WGT gamers to compete for the chance to be the DP World eTour Champion.”

Daniel van Otterdijk, Chief Communications Officer, DP World, commented: “We’re delighted to be part of the new global DP World eTour competition and particularly pleased to be able to host the grand final here in Dubai, in what will be a spectacular showdown. Dubai is not only one of the most prominent sports capitals of the world, but also a hub of world-class technology and innovation. Our DP World FLOW Pavilion in Expo City, which is dedicated to logistical and technological excellence, is a fitting setting to bring the DP World eTour to a close this November. We would like to wish all the competitors the best of luck and thank the partners involved in making it all happen.”

In November 2021, the European Tour group and DP World jointly announced a ground-breaking evolution to their long-term partnership, with DP World becoming the title sponsor of the group’s main tour from the start of the 2022 season.

MotoGP launches first augmented reality lens

MotoGP™, the world’s first motorsport World Championship, is launching a new AR lens on Snapchat to give fans a new, immersive way to engage with the sport they love, while the 2022 Championship is in full swing. This new activation gives them a chance to show their creative flair, designing their own helmet.

This new AR lens is called MotoGP™ Lens, allowing fans to see how they’d look as a MotoGP™ rider by designing their own helmet in Augmented Reality. Helmets are a crucial part of a rider’s equipment – often the most personal – and every racer has to design theirs at some point in their career. With the new MotoGP Lens on Snapchat, fans across the globe can now design their own helmet, just like the pros. From choosing their favorite colours to picking the hottest designs, adding fun stickers and more, fans can get creative to see how they would look as racers in the world’s fastest motorcycle racing Championship – and then share their creations with their community.

The AR Lens can be found on @motogp’s Snap Star account where the Championship shares Stories and Spotlights of the sport, offering fans a whole new way to interact with MotoGP™. The MotoGP™ Lens is another exciting addition to the Championship’s huge presence on Snapchat and across social media.

Manel Arroyo, Chief Commercial Officer at Dorna Sports: “Snapchat is a point of reference in the digital universe with an incredible platform, and we are proud to partner with them to create this MotoGP™ Lens.

“MotoGP™ is always looking for innovative ways to engage with our fans and offer new content formats for our global fanbase to enjoy, as well as to seek out new audiences and ways to grow our sport. This new MotoGP™ Lens ticks every one of those boxes. We’re delighted to see it go live and very much look forward to seeing what fans create and share.”

Alejandro Arenas, International Sports Partnership Manager at Snap Inc.: “The MotoGP™ World Championship brings 24 of the world’s best riders to battle across nearly every continent over a calendar of 20 races, creating some of the closest competition on the planet. It’s an immense privilege for Snap to help such a prestigious championship engage with their fans on a deeper level, thanks to our AR capabilities. MotoGP™ is a sports partner that always pushes the limits of creativity, much to the delight of their fans around the world!”

The FIM recognise the FIM World Supercross Championship as only Supercross Championship

In light of recently announced developments in the marketplace, Fédération Internationale de Motocyclisme (FIM), the global governing body of motorcycle racing, reaffirms that the FIM World Supercross Championship remains the only supercross world championship series that is recognised and sanctioned by the FIM. 

Whilst the AMA Motocross and Supercross Championships are successful domestic Championships in their respective own rights, these domestic championships do not combine to score points towards any official FIM sanctioned World Championship as this is entirely contrary to the exclusive rights granted to SX Global as the exclusive sanctioned FIM World Supercross Championship promoter.  No other sanctioned world championship exists in the sport of supercross, and no winner of any other competition will be acknowledged as “world champion” by the FIM.

The FIM has selected SX Global as its sole and exclusive world championship partner due in large part to its inclusive global approach, its deep experience in motorsports, and its commitment to creating an elevated supercross experience for riders, teams, fans, brands and broadcast partners.
Reinforcing the position of the World governing body, which is the sole recognised competent authority in motorcycle sport by the International Olympic Committee, FIM President Jorge Viegas stated: “SX Global is the exclusive current right holder for the FIM World Supercross Championship. I look forward to attending the opening round of the 2022 FIM World Supercross Championship in October which will definitely mark the beginning of a thrilling season.”

SX Global’s model for the FIM World Supercross Championship has been designed to promote a diversity of riders, team, and partners to attract and grow fans around the world – underpinned by a global roster of teams and riders and an inclusive, partnership-driven approach of operational and financial advocacy. In total, more than USD$50 million has been designated specifically for team and rider support over the first five (5) years of the FIM World Supercross Championship, ensuring a well-capitalized effort focused on uniting all constituents in pursuit of a global championship and culminating in the crowning of a single, sanctioned world champion.

The opening round of the pilot season of the 2022 FIM World Supercross Championship is set to take place on Saturday 8th October at the iconic Welsh National Stadium, the Principality Stadium in Cardiff, as lead up to a full global championship taking place in 2023.

Rugby League World Cup 2021 to unite sports and arts with Cultural Festival

With just over 50 days to go until the start of the tournament, Rugby League World Cup 2021 has today launched details of its Cultural Festival.

Funded by Arts Council England, The Rugby League World Cup Cultural Festival will bring together audiences of sport and art to showcase the history and atmosphere of the highly anticipated tournament. 

Taking place in four of the tournament host cities – Newcastle, Hull, Leeds and Manchester – the festival will amplify the strapline of ‘The Power of Together’, celebrating inclusivity and positive social impact.

The festival will be delivered via three different strands – The Power of Connecting, The Power of Poetry, and The Power of Performance: This Is Us.

Kick-starting the pre-tournament celebrations through its partnership with Libraries Connected, The Power of Connecting will deliver a programme of activity across libraries in the North of England, allowing people to get involved with a range of workshops including creative writing, crafts, and drama.

The Power of Poetry strand, created by Robert Montgomery, a poet and artist known for his light and text installations, and Emergency Exit Arts, brings together eight poets to capture themes of inclusivity, the sound of the stadium, the joy of reconnecting the community through sports in a post-Covid world, and the dynamic nature of rugby league. The four double poems, written in light, will tour the country throughout the period of the tournament.

Also capturing the atmosphere and energy of the sport and bringing it to the city streets, the Power of Performance will tell three distinct stories about rugby league – its origins as a working-class game, how the game became more inclusive through pioneering players, and the special connections between players and the fans. Each of these zones will have its own narrative, showcased via dance, aerial performance, special effects, music and staging. The Power of Performance will be directed by Robbie Graham from Southpaw Dance Company with Simon Sharkey serving as writer and artistic adviser.

The wider community from all backgrounds will also have the opportunity to be involved in the large-scale spectacular alongside a team of professional performers, helping to bring the energy, atmosphere, and passion. From community groups to sports teams and budding street performers, the festival is currently recruiting for participants within each of the four cities, with no former dance experience required. 

Pinwheel, headed up by Katy Fuller, has been commissioned as the Creative Director and Producer for the Cultural Festival, with partners also including Leeds 2023, Newcastle City Council, Hull City Council and Greater Manchester Combined Authority.

To register your interest in being a performer in the festival, visit: https://www.pinwheel.org.uk/rugby-league-world-cup.

RLWC2021 Chief Executive, Jon Dutton, said: “In what is set to be the biggest, best and most inclusive Rugby League World Cup in history, the Cultural Festival provides so much more opportunity to bring together the wider community – uniting sport with the arts.

“The tournament is already reaching new heights when it comes to the record-breaking 61 matches and three competitions running simultaneously for the first time, and we believe the festival will extend the level of participation and excitement around it. This Rugby League World Cup Cultural Festival is the perfect opportunity to celebrate the origins of the sport in a fun, inclusive and contemporary way.”

Katy Fuller, Creative Director and Producer, who also played an instrumental role in Hull’s journey as UK City of Culture 2017, added: “The Rugby League World Cup Cultural Festival offers a brilliant platform to showcase the North of England in all its glory, on an international stage. It’s a great honour to have been chosen to support such a major event and bring it to life.

“From humble beginnings to where the sport is at now, the festival will allow us to tell the powerful story of how rugby league has broken down a number of barriers and bring to life the strapline – The Power of Together.”

Motorsport UK announce Masterbuilt as Official Partner

Motorsport UK is delighted to unveil Masterbuilt as an Official Partner across both the British Rally Championship and the Motorsport UK Academy.

Masterbuilt’s aim is to show that with the right tools, mastering the art of charcoal smoking is effortless. Just like switching on a gas grill, you can fire up their range of grills and smokers by pressing a button. Best of all, they deliver the unmistakable smoky flavour that only comes from charcoal – with none of the fuss.

The partnership between British Rally Championship and Masterbuilt is cemented on their shared emphasis on digital innovation, efficiency, smart technology, skilled craftsmanship and epic experiences.

Ben Forte, Masterbuilt Global Marketing Manager says: “We’re delighted to start what we hope to be a strong relationship between Motorsport UK and Masterbuilt BBQs. The motorsport world knows how to work hard and play hard, and in our book there’s no greater pleasure than kicking back with friends over a BBQ. We hope to reach the wider motorsport community through showcasing our range of charcoal grills and smokers.”

First established over six decades ago, the British Rally Championship has long been the ultimate proving ground for the sport’s stars, with five BRC champions going on to become World Rally Champions.

With a pathway designed to support contemporary, thoroughbred rally challengers, more classic machinery, and a Junior championship to encourage the next generation of rising stars through the sport, Masterbuilt’s support of the BRC elevates what is already an integral part of the UK’s vibrant motorsport community.

Away from special stages, Masterbuilt will also lend their support to the Motorsport UK Academy, the governing body’s pathway for aspiring stars of the future in other disciplines, including circuit racing.

The programme comprises four steps, at the top of which sits Team UK for elite athletes competing at international level; drivers past and present includes the likes of Callum Ilott, Jamie Chadwick, Louis Foster, Oliver Bearman and Tom Williams.

Drivers rising through the ranks are selected to be a part of Team UK Futures, a two-year scheme designed to elevate their performance, or are part of a dedicated Co-Drivers programme for rallying. The entry level consists of those studying for an Enhanced Diploma in Sporting Excellence (DiSE) alongside their racing activities.

Hugh Chambers, Chief Executive Officer of Motorsport UK said: “It’s fantastic to welcome Masterbuilt as an official partner to both the British Rally Championship and the Motorsport UK Academy.

“Both are key aspects of our motorsport community here in the UK, and their support will not only enhance one of our British championships, but also help to forge greater pathways for the next generation of rising stars within the sport, across all disciplines.”

DAZN Bet launches in the United Kingdom

DAZN Bet has launched in the United Kingdom, its first market ahead of a rollout in more markets in the near future.

DAZN Bet is the result of a strategic partnership with DAZN, the sports entertainment platform which is fast becoming a one-stop shop for everything a fan wants.

DAZN Bet seeks to refresh the casual betting market by creating a more recreational, sociable, and relevant experience for today’s sports fan.

Sports fans in the United Kingdom can head over to DAZN Bet right now by clicking here. Fans elsewhere in the world can use the website to stay tuned for more details on when the soft launch will come to their country.

DAZN is fast becoming the daily destination for sports fans. Its ambition is to reinvigorate sports broadcasting by delivering the widest catalogue of sports contents to fans globally while creating a truly 360-degree interactive sports entertainment experience for customers. 

Soon, DAZN customers will be able to not only watch live and on-demand sport, but listen to and read about sport, enjoy betting, buy sporting NFTs, tickets, and merchandise.

Mark Kemp, CEO, DAZN Bet, said: “Today’s launch is only stage one.

“We are on a mission to create a richer product that is integrated into DAZN’s sports streaming service, where possible, providing sports fans with something much more immersive and interactive than what is currently available.

“It is a journey, and we begin it today.”

Member Insights: The Reason Why

In this Member Insights piece, Richard Brinkman takes a look why sporting competitions are successful, and why some aren’t.

One of the fundamental principles that enables any individual, team or organisation to successfully make the difference they wish is having a “reason why” that underpins and motivates the actions they take. A strong and authentic “reason why”, and a high level of self-belief in it, from the key participants is critical in driving towards successful results. 

If no one understands why they are setting out on their challenge, addressing a problem or setting a goal you are doomed to failure before you start. Equally if no-one believes in the reason why (often corporately known as purpose), or if there is a low level of belief that it is achievable, you are again pushing water uphill if you want to succeed.

It strikes me that this is a particularly thorny issue for the sports industry. This is largely because there are so many emotive and rational factors and stakeholders that need to be considered in any decision. These stakeholders are many and various – getting similar levels of belief and buy-in to the “reason why” across all is very difficult. But not impossible.

If you think about the most successful sports properties in the world (and I am thinking about the likes of The Masters, Wimbledon, EPL, NFL, Olympics etc) they have a strong “reason why” that delivers on many levels and for multiple stakeholders:

The Athletes – giving them the platform and opportunity to perform at the highest level that has context and meaning beyond the singular event.

In Stadia Attendees – a sense of event and an appropriate environment to watch the best perform their best.

Sport participants – a pinnacle to aspire to, a dream to chase and strive for, a standard to aim for, a concept of what excellence looks like.

Avid fans of the sport – Characters, narratives and teams that are consistently interesting and that have the jeopardy of flirting with greatness in the context of what has gone before and taking their place alongside “the greats”.

Casual followers via third-party media – the excitement of observing the make or break of something meaningful and that represents an extraordinary achievement that resonates beyond the individual sport and into a wider cultural context.

Audio-visual content – the ability to create guaranteed excitement and therefore audiences, alongside the opportunity to deliver reputation-building technical/production advances and an abundant supply of ancillary/support content.

The issue for so many new iterations of sport – think LIV golf, The Hundred, Rugby X –  and, to my mind, a common reason they struggle for traction and acceptance is that their “reason why” has little or no nuance. In other words, it really delivers and is highly focussed for certain stakeholders but has no relevance or meaning for any other constituents. In the worst cases certain groups are actively alienated.

It is very easy (too easy?) to say that LIV, The Hundred etc are designed to bring new supporters to golf and cricket – ie they are golf and cricket “reinvented” for people who don’t currently know or like the sport. However, the large bodies of people who currently play, attend and follow (and broadcast?) the sport also need an understanding of what this iteration is adding, why it matters and how it fits alongside what they currently see, know and (presumably) like. 

All of the stakeholder groups mentioned above matter. The vast majority of “new” fans will want to feel a sense of belonging to a bigger community. No one above the age of 14 will solely be interested in The Hundred. A tiny minority will follow LIV and not be interested in other significant existing golf tournaments. Becoming part of something bigger, such as an established community, is important.

Heritage, history and “tradition” are a massive part of sports like golf, cricket and rugby. They give the context that achievements are measured against. They provide the canvas that makes winning and losing meaningful. Trying to ignore it or consign it to history as old-fashioned or not relevant to new generations is a high-risk policy. It is unlikely to engender “buy in” from large numbers of important stakeholders in the wider sporting community. 

It also ignores the fact that these sports have been attracting new players, participants, fans and followers for over 100 years. They have done so through the birth of live coverage, the televising of events, the professionalisation of the game, the development of new formats and tournaments, and various scandals. To suggest that everything is now different because we have social media and therefore need to reinvent the game to keep it alive is to deny history and seems a strong over-reach. New technology should enable, develop and augment what has gone before – not render it irrelevant.

It is also critical to be aware that the financial imperatives and attention-level of sports fans mean that successful traction needs to be very much built in the here and now. English cricket cannot wait 10 years for The Hundred to “work”. LIV will either be a valuable golf entity or irrelevant in the next three years. Therefore, widespread “buy in” and understanding of their “reason why” needs to have immediate impact. They do not have endless time to ride out and finesse antipathy, confusion, nervousness or resentment.

Both LIV and The Hundred would do well to recognise that rewarding already very well compensated athletes with very high guaranteed income regardless of performance for doing less work than previously is not a compelling message. Particularly, if your product is not actually shorter than the version of that sport people are used to and is not actually the “best v best” product initially advertised. No amount of technical innovation, fireworks, podiums, celebrity commentary or TV hyperbole can paper over the cracks if your only “reason why” is seemingly solely about money.

I fully understand the argument that it is no longer just about the sport. That sport is always evolving and a natural progression is the development of “sportainment”. Indeed, one of the most effective and successful properties I ever had the pleasure to work with were WWE who are probably the gold-standard of blending sport and entertainment. Admittedly, they did not need to necessarily worry about participation, the “grass-roots” or the long-term legacy to their sport. 

However, what made them so effective (and profitable) was an amazing understanding of their audience, different levels of engagement to different types of audience in different parts of the world and how best to amplify the narratives, characters and history of their sport through many and various outlets and products. This enabled them to continually evolve and build a broad church. They had a very strong and clear “reason why” that was their north-star in everything they did – to entertain and innovate using a sporting/physical context. There are certainly some valuable lessons here for new iterations of existing sports looking to build younger audiences and hold on to them as they mature.

It is interesting to note that the Women’s iteration of The Hundred has seemingly found far less resistance and choppy waters to navigate. Yes, women’s cricket is coming from a vastly different starting point and less well established and packed schedule. But it also has a very different and seemingly more authentic and worthwhile initial “reason why” – to grow interest and participation amongst girls and build a serious professional pathway for more female athletes. I know many have mooted that LIV may well have built momentum more successfully and quickly had they started with the under-resourced and under-invested women’s game. 

The triumph of the England Lionesses at the Women’s Euros earlier this summer also had a very different vibe. It felt like it was about more than just football – they were doing it for women’s sport and girl’s access to sporting opportunity everywhere. It is a highly motivating “reason why” that not just the team but many different types of stakeholder could fully buy into. Indeed, I suspect many non-sport fans (even beyond the usual “big-eventers”) got behind the team as a result.

The PTO (Professional Triathletes Organisations) and Sail GP are other good examples that it is possible to drive innovation and evolution within a sport to wide acclaim if your “reason why” is strong and authentic enough. 

Sail GP’s “Better Sport Better Planet” approach chimes well with the nature of the sport and brings a level of excitement, real-worldliness and approachability that has long been missing from sailing. Equally the PTO’s mission to give athletes a platform (and share in its risk and success) to showcase their extraordinary passion, athleticism and determination gives rise to outstanding performances and incredible stories that inspire as well as amaze. They are building their sport by adding to it and developing its opportunities rather than trying to “reinvent” it. Evolution rather than revolution.

One final point to consider is that, as we touched on previously regarding the Women’s Hundred, the overall landscape and competitive set in which you exist as a sport cannot be under-estimated. And, of course, that can evolve and change in its own right.

Thus, an iteration of a sport, Formula E for instance, can launch with one very definite “reason why” (in this instance to be the progressive and sustainable face of motorsport’s future) and find itself over time being overtaken by other offerings who share your mission but land-grab your positioning. I would argue that within motorsport the W Series is now considered to be more progressive and future-focussed and Formula E’s own little brother Extreme E has grabbed the green credentials. Some might argue that this leaves FE in a better spot to more directly compete with F1. Good luck to them if that is so – that is one big brute to get in the ring with – particularly so without a compelling, strong and motivating “reason why” to be there.

McLaren Racing extend Medillia partnership

McLaren Racing announced Medallia, the global leader in customer and employee experience, as an official partner for the Arrow McLaren SP team beginning in the 2023 season.

The partnership, which initially launched between McLaren Racing and Medallia leading into the 2021 U.S. Grand Prix, has provided the team with a suite of solutions to capture feedback from fans and employees. With this extension to Arrow McLaren SP, Medallia has partnerships with Formula 1 and NTT INDYCAR SERIES teams.

Medallia’s award-winning SaaS platform, the Medallia Experience Cloud, leads the market in the understanding and management of experience for customers and team members. 

Medallia captures feedback created on daily interactions in person, with call centers, digital channels, over video and social media, and even IoT interactions. Applying proprietary AI technology, Medallia reveals personalized and predictive insights that can drive action with tremendous business results.

The Medallia brand will be represented on all three Arrow McLaren SP Chevrolet cars and team uniforms through the full 2023 season.

The announcement takes place in correlation with Monterey Car Week in Pebble Beach, Calif., and the Bommarito Automotive Group 500 NTT INDYCAR SERIES race at World Wide Technology Raceway in St. Louis, Mo. 

Zak Brown, CEO, McLaren Racing said: “It’s fantastic to expand our partnership with Medallia to the Arrow McLaren SPteam. Medallia’s leading platform has helped us gain a greater understanding of our fans and of our team in Formula 1, helping us continue to enhance our accessibility and value as a brand. We’re excited to now extend this support to our growing IndyCar program in what is an exciting time for the team.”

Leslie Stretch, President and CEO, Medallia said: “Showcasing the Medallia brand within our customer brand networks with F1 has been hugely successful for our international business. IndyCar provides one of the biggest opportunities to replicate this success in the U.S., and I can’t think of a better partner to do this with than Arrow McLaren SP.” 

StreamAMG appoint new directors

StreamAMG has made two senior hires from the world of professional sport. Alex Hunte has joined as Product Director and Jonathan Rigby is now Director of Commercial Strategy. Both join at a time of rapid growth and development of the StreamAMG brand as a leading provider of sports OTT solutions.

Hunte joins the business after spending more than three years at Tottenham Hotspur where he was Head of Digital Products, having previously led broadcast productions at UEFA for various events including UEFA Euro 2008 and the UEFA Europa League.

Rigby is an experienced international CMO and commercial director for some of the biggest brands in world sport, including Manchester United, BBC, British Cycling and most recently the 2023 UCI Cycling World Championships.

CEO of StreamAMG Hugo Sharman said: “We are delighted to welcome Alex and Jonathan to StreamAMG.  They are bringing extra depth and leadership to an already strong management team, and I’m incredibly excited to work with them.  The business is in great shape, and they will be key to our next phase of growth.” 

StreamAMG’s revenue has doubled, and its EBITDA (earnings before interest, taxes, depreciation, and amortisation) has increased fourfold since PA Media Group acquired it in 2017 and has kicked off 2022 in rude health.

This year StreamAMG has welcomed new clients into the fold, including ATP Media and its flagship OTT service Tennis TV, Serie A football club Inter with Inter TV and many others. It also launched successful streaming services, including Premiership Rugby’s new PRTV Live platform, which enabled thousands of rugby fans to see more live action every week. StreamAMG also delivered record pre-season audience numbers for many English Premier League and EFL clubs.

StreamAMG now delivers over 20,000 live events across sports and betting/gaming clients every year, including over 3,500 in tennis alone for both the men’s and women’s professional games. The company has also increasingly diversified into numerous other sports – including golf, basketball and more – to become a major player in the direct-to-consumer sports market.

Meanwhile, StreamAMG has continued to invest heavily in its products and services, most notably its in-app purchase feature in CloudPay (user authentication and digital payments) and new innovative cloud services with Amazon Web Services (AWS). Thus reinforcing StreamAMG’s status as one of the few service providers able to offer platform development, end-to-end delivery, distribution and payment services at scale using proprietary technology.

With the aim of directing the future development of the company’s advanced suite of streaming products, Hunte said: “StreamAMG has a fantastic reputation in the marketplace. I am delighted to have the opportunity to continue innovating and delivering solutions across our stellar portfolio of customers. More and more rights-holders are benefiting from the ability to take their content directly to their customers – we are committed to remaining at the forefront as the OTT market continues expanding worldwide.”